Friends, it´s summer ovrhere and we started drinking iced coffee while keep the ball rolling with lots of amazing new releases we got in like the new RAEIN 7“, new stuff from Goodbye Boozie, new Alda LP, new Night School releases, Slowdive re issues, a new LIMITED SVFFER shirt and moreeeeee.
We also started taking pre orders for the upcoming RAT COLUMNS LP and the BROKEN WATER wrought and 45s.. DLP
We also repressed the GIVE – electric flower circus LP on purple for their upcoming euro tour.
Meanwhile check out some new tunes of those on our soundcloud
https://soundcloud.com/adagio830
And for upcoming shows check this:
https://www.facebook.com/schnickschnackschnuckshows
Stay brutal
Robert & Klose & Norman
mailorder@bisaufsmesser.com
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http://soundcloud.com/adagio830
http:/www.adagio830-records.bandcamp.com
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http://vendettarecords.com
7“
CUMSTAIN - Dahmer Blues 7" (Cumstain is sleazy garage-punk band from Oakland California !!
that'll stick to your mind and stain yo brain!!! two tracks for fuck one-side!!! recorded october 2013 by Greg Ashley !!! !!!Glam/R'n'R/Garage/Pop!!! (limited to 250) The 7" will be issued with three different covers) 6.00
L/A/Z/Y - Lazy 7" (goodbey - Lazy is punk band from Kansas City!! New songs!!! New Recordings!!! "reminded of West Coast punk and hardcore circa ’78 through about ’82 – I’m talking bands like Avengers and X, and the feral hardcore offspring that quickly followed them, like maybe Sin 34 or No Alternative." !!!!Punk/DangerHouse/Punk!!!! (limited to 200) The 7" will be issued with three different covers) 6.00
NO LIMIT - No Limit 7" (goodbye boozy - Geelong punk band fronted by Jake and Jeff !!! Jake play also ( Ausmuteants , School Damage , Hierophants and more) and Jeff in ( School Damage , Chugga and the Fuckheads ) recorded spring' 14 took 4 hours to write and record if you like fast weird punk , you need this!!! (limited to 250) The 7" will be issued with three different covers ) 6.00
10“
JUNGBLUTH - same 10" (diy – repres of their 6song demo tape on a ltd 10“) 13.00
LP
39 CLOCKS - subnarcotic LP (luxury - Germany’s self-crowned “Psycho Beat” combo, 39 Clocks were a low-lit shadow unit inhabiting a cultural corner all their own. Subnarcotic may be their finest moment, distilling and stretching the art-primitivism of their debut to it’s logical breaking point. Oozing out shock waves of bad acid trips, decayed guitar, and the dull stomp of a tiny beatbox, Subnarcotic is American garage and proto-punk filtered through some shadow-filled masterpiece of German expressionism.) 27.00
ALDA - same LP (sick man - New LP by Alda - Alda is the musical and ideological coalescence of a group of friends who met and began making music with and amidst each other in the town of Eatonville during the early 2000's. They officially christened their project with the name Alda in the Fall of 2007 after having relocated to the city of Tacoma. The sound is inspired by a variety of folk music traditions and Black Metal. They are a black metal band cut from the same Cascadian cloth as Agalloch .. Screen printing cover and thick printed inner sleeve Artwork by David J. Csicsely
) 15.00
APOSTILLE - Powerless LP (night school - Apostille is the solo musical guise of Glaswegian DIY protagonist Michael Kasparis. Initially a creative harbour from his groups Please and The Lowest Form, Apostille has grown into an explosive synth-punk project unafraid of both physicality and emotional leakage. Powerless is Kasparis’ first album proper, following exploratory works on Goaty Tapes and Clan Destine, and is Apostille’s first release on his own Night School Records. Fiercely independent in practice and execution, Apostille’s stated purpose is to bridge the gap between audience and performer, to connect through the fog of power structures and post-modernism; to ferment a direct pop music unconcerned with control. Powerless explodes with Life - a rage of brilliance that acts as a communal outlet of shared frustration and confusion at the world. At moments haiku-like mantras lament over a damaged industrial de-composition as in The Collector, at other times there’s a Depeche Modish fragility as in Side 2 opener Deserter. In warped, subterranean ballad Olivia’s Eyes an almost decapitated duet details criminal instincts, while live favourite Slurry demolishes proceedings with a Suicide-like take on Chicago house; a mammoth journey into the psyche of a ‘Falling Down’ prototype, lost in a world of perpetual motion, speeding up and uncaring. Touchstones of early Mute artists like Fad Gadget can be found in Apostille’s overwhelmingly physical live performances but like Tovey’s best work, or perhaps that of Crash Course in Science, there’s a depth on record that paints in more complex colours. Apostille is pop music from the outside looking in.) 17.00
CLIFF MARTINEZ - Far Cray 4 SOUNDTRACK 3xLP (invada - Cliff Martinez best known for his killer scores to Solaris, Only God Forgives & of course Drive - has just scored his 1st ever video game soundtrack and Invada have the privilege of releasing it. The score is over 2 hours long ) 35.00
GEOFF BARROW & BEN SALISBURY - Ex Machina SOUNDTRACK DLP (invada - Geoff and Ben worked tirelessly on this project, not only for the movie itself but for people who wished to listen to the soundtrack as a stand alone experience. The Ex Machina score was mixed at Air Studios and mastered at Optimum with Geoff and Ben present at both sessions. The artwork / imagery has been taken from the actual motion picture and has been pieced together by Invada's very own art director Marc Bessant (Portishead / DROKK).) 30.00
HELM - Olympic Mess DLP (PAN - Where his previous effort, 2014's 'The Hollow Organ,' dealt in dense, distressed sonics, 'Olympic Mess' is Younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. These musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
"It's about exploring a perverse desire to pull the rug from under yourself, and the struggle to achieve a healthy equilibrium between one's personal and artistic lives," Younger says. "Dealing with the problematic consequences of pushing your own limits, forming and dissolving relationships, transient lifestyles, physical and mental exhaustion, excess, and other kinds of personal chaos". Crafted using an array of heavily processed samples, found sound and electroacoustics, personal conflict manifests in "I Exist In A Fog" and "Outerzone 2015," where visceral noise disintegrates into veiled, ambient strata. The disquieting crescendos of "The Evening In Reverse" and "Fluid Cloak" offer no such relief, while the title track and "Don't Lick The Jacket" are mineral, multilayered abstractions twisting around a brittle pulse.) 25.00
ISKRA - ruins LP (sick man - Hailing from Canada, they are styled as 'blackened crust'. Whilst I can't deny that they have crust elements to their music, they are very much on the metal side of things, with a strong Scandinavian black metal vibe being the dominant force. Their style packs an impressive punch and displays a finesse which is earned from many years experience.) 12.00
KIDS INSANE / SLANDER – Split LP (take it bakc - Israel's Kids Insane and Italy's Slander deliver a fine one-sided split 12"EP which epitomizes the spirit of punk, with lyrics that depict a corrupt justice system, being beaten by the cops in the street and at hardcore shows, experiencing the monotony of election after election whilst watching winning politicians merely "oil the gears of this crooked machine”. Co-released with World's Appreciated Kitsch, Tangled Talk Records, Assurd Records, Drugusingpeoplerecords, Mosh Potatoes, Mustard Mustache, and Trivel.
Includes download in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.) 11.00
MOON ATE DARK - Moon Ate the Dark I + II DLP (sonic pieces - 2LP : Ltd. to 350 copies, Handmade textiled Artwork Double LP Edition including the 2012 self titled debut album by Moon Ate The Dark and the 2nd follow-up album simply called "II". With their second album Moon Ate the Dark is taking the next step of contemporary piano composition. Moving on from their well-received debut album in 2012, Moon Ate the Dark II is based on an extraordinary playful and varied approach to melodies and drones with dedication to subtle, yet complex details.
The combination of Anna Rose Carter’s piano, violin and keyboard playing and Christopher Bailey’s electronics, amplifiers as well as organs and synthesizers creates something less shadowy than their first album in favour of a more melodic, still thoughtful endeavour that manages to virtuously move on the thin line of nostalgia and optimism. While the shorter pieces of the record are mostly based on lively piano tunes completed by forceful electronic components, the attentive ‚Sleepy Vipers’ is dragging the listener into drones and violin that slow the pace to create an engaging high mark in the duo’s recordings underlined by the excellent production that will grip the listener until the very last notes of the wonderful closing track ‚Lo’. Moon Ate the Dark II is an impressive achievement and evidence of how diverting a meeting of two parts can be if they match as perfectly as this.) 31.00
PAPER DOLLHOUSE - Aeonflower LP (night scool - LP with DL - LTD 500 An exploration of warped, dream-like atmosphere and taught, noise-ingrained electronics, Paper Dollhouse has evolved from the solo work of Astrud Steehouder into an expansive, cinematic project now involving multi-media artist Nina Bosnic. Recorded with a stronger focus on electronic processes and with a deeper, light-starved aesthetic, Aeonflower’s emboldened use of crushed-noise dynamics takes the London-based group’s debut “A Box Painted Black” (2011, Bird/Finders Keepers) frame into darker, murkier and more thrilling territory. Aeonflower is the slow decent of a newly-discorporated spirit into a fogged, neon-lagoon, a drowned world still-lit. If the first LP was a box of raw secrets with hints of obscured folk roots, Aeonflower is the endless rain of expression, experience and change. Nocturnal On this outing both artists’ vocals are expressive, forgoing complex lyrical concerns for minimal text invested with emotive power. Opener Oracle bleeds into Stand, the first of Steehouder’s haunted vocals, a fragile minimalism augmented with barren guitar. Helios sees a drum-machine kick + ride cymbal pin down an dark, enveloping vocal duet until Psyche obliterates it all with billowing noise, a thrilling shock to the system. The swirling synths and suppressed emotion of Your Heart peak in the centerpiece Diane, a shadowy piece highlighting Steehouder’s minimalist approach. Side 2 acts as a mini-suite, with Diamanda Galas-inspired vocal abstractions and walls of too coming down with stand-out ambient track Black Flowers. Dark and light interplay beautifully on album closer Siren, a turbulent if ambiguous build -up of harmony and noise. A cinematic portrayal of an internal hinterland, Aeonflower is a complete, encompassing soundworld.) 17.00
RAEIN - Sulla Linea D'Orizzonte Tra Questa Mia Vita E Quella Di Tutti LP (DIY - This is Raein's first LP in over 10 years - a few copies back in stock. Itialian Scream as its best) 13.00
RAEIN - perpetuum LP (diy - New LP by our favourite italian screamo band. 180 gram and silver foil cover) 14.00
SALLY DIGE - Hard To Please LP (night school - Consolidating 2 years of solo work, “Hard To Please” is the debut album by Canadian polymath Sally Dige. First coming to prominence in the synth-wave scene with an elusive, meta-persona in a blur of homemade costumes, Dige’s world has grown to encompass visual art, theatre and design elements. Most surprising on her long-awaited debut however is the occasional removal of the various masks and characters Dige has played to date, revealing something more tangible and fragile underneath. “Hard To Please” still revels in a darkly thrilling, Italo-disco pop music, awash with dry ice and hidden in shadow, most personified on the instant classic Immaculate Deception. However, on the long, nocturnal walk home Dige begins to sing of loneliness, being lost, the transience of our relationships. Attention to detail is paramount. On the title-track the crisp early-80s, swooning bass line duets with Dige’s desperate plea to a lover fading into the distance, a presence lamented with even more pathos on the towering, early-4AD-esque, slow-burner Your Girl. It’s a new fragility that effortlessly manages to convey a luxurious, inescapable sensuality at the same time. Indeed, Hard To Please portrays a clear narrative, with electronic body movers like Doppelganger portraying an out-of control, self-obsessed persona at the beginning of the record, like Liasons Dangereuses fronted by early Madonna. Breaking down into the foggy murk, the more hopelessly romantic album closers “A Certain Beauty” and “Dance Of Delusion” burn a ghostly image into the listener’s mind, as Dige, or someone like her, over Cure-like swooning reverberations entreaties the powers that be to let her dance. Dige never fully reveals her hand, but the game is worth playing endlessly.) 17.00
SAUNA YOUTH - distrections LP (upset the - 'Distractions' marks the first time the band has managed to write everything in a room together and also documents the first time they have entered a studio to record; the songs in turn created through the process of learning to write together. 'Distractions' was recorded over a couple of days in July 2014 at Sound Savers in Homerton with Mark Jasper, then mixed by the band and mastered by Kris Lapke. 'Distractions' is made up of 14 songs about desire, but more importantly, about that area just out of reach of desire, at the very centre of the human psyche. It looks at what it means to be distracted from being yourself. It thrives in the desire to be someone else, the very idea that you could be someone else. It's also an album that feels instinctive and natural, flowing freely from a band that have come to terms with the sum of its parts. Ultimately though, Sauna Youth have made a colossal record which is impossible not to dance to. Attracted to the possibilities apparent within a DIY philosophy, the band self-recorded and self-released their own music pretty much until the release of their debut LP 'Dreamlands' on Faux Discx/Gringo Records in 2012. 'Dreamlands' opened with the 10-minute introduction to the "Town Called Distraction," where the stories on this new album find themselves living.) 18.00
SLOWDIVE - Souvlaki LP (music on vinyl - 1993 album from the British Showgazers. Widely regarded as their best album, it benefits from synthesizer contributions from co-producer Brian Eno on 'Sing' (which he co-wrote) and 'Here She Comes'. Finally back in print) 22.00
SLOWDIVE - Pygmalion LP (music on vinyl - When Slowdive disbanded in 1995 music fans widely associated it with the demise of the shoegaze genre. Their last sign of life was Pygmalion and it was, after Just For A Day [MOVLP354] and Souvlaki [MOVLP202] a totally different and more abstract album. Where the band attempted to put more song structures in place on Souvlaki, they began to incorporate more elements of ambient electronica on Pygmalion. Which resulted in a more complete album than the two previous albums. Tracks like "Blue Skied An' Clear" and "Crazy For You" demonstrate that the songs are still there, somewhere -- they're just buried under more abstract sounds than before. Music On Vinyl is very proud to complete the Slowdive catalogue with this stylistic masterpiece!) 22.00
SLOWDIVE - just for a day LP (music on vinyl - The English shoegaze band Slowdive formed in 1989 and consisted of Nick Chaplin (bass), Rachel Goswell (vocals, guitar), Christian Savill (guitar) and the band's primary songwriter Neil Halstead (vocals, guitar). The production on Slowdive's debut commenced shortly after Halstead convinced Alan McGee, head of Creation Records, the band had enough songs written for a full-length album. Slowdive actually did not. The group hurriedly began writing songs in the studio, experimenting with sounds and cannabis during the process. This eventually lead to their debut album ust for a Day', released in 1991. Music on Vinyl now rereleases this classic album on 180-grams audiophile vinyl) 22.00
V/A - Iná Hudba: Experimental Studio Bratislava Series 1 LP + CD (Incredible historical recording never issued in any format ever. It is the first release of Slovak composeres that were active in the 60s and 70s, a missing link in the history of Musique Concrète."In 1965 the Experimental Studio Bratislava was founded by the Czechoslovak broadcast service. The Studio Bratislava was quite independent from the headquarters in Prague and in some ways competed with it. Composers like Peter Kolman, Jozef Malovec etc. started on a “do it yourself” level and built the equipment which was then not available through the Iron Curtain themselves. However, the studio’s vicinity to Budapest eventually made it easier for the Slovaks to source the equipment they needed as Hungary had a more free interpretation of the socialist marketsystem. The artists were thus able to make improvements that allowed them to experiment with Musique Concrète and electronic sounds.– The most popular Slovak artist in the field of electronic music was and is probably Jozef Malovec He was among the winners of the First International Electronic Music Competition – Dartmouth College, 1968. Interestingly Exs had, for various reasons, never released a record in their own name in spite of vivid exchange with likeminded artists in European studios like the Electronic Studio Stockholm (EMS), founded the same year, 1965 -, Budapest, Warsaw etc.. Recordings made in Exs appeared for example on Hungaroton SLPX-11851: Hungarian Electronic Music; Supraphon SUA 10951: Electronic Music; Supraphone 1111423: From Czech Electronic Music Studios; CBS-S3461144: Musique Tchecoslovaque Nouvelle just to mention a few.) 25.00
TAPES
ÄRGER - keine halbe sachen, nur halbe liter TAPE (deutschpunk against deutschpunk...) 5.00
V/A - au revoir mogadishu vol. 1 TAPE (This Tape of 70's and 80's Somali sound is a rich blend of traditional Somali folk music infused with Western funk, rock and reggae and a touch of Indian, Arabic and African flavors. Side A is good for that mellow creamy morning. Side B will get your ass wiggling! There are hardly any proper releases of this soulful sound of guitar, synthesizer and drums. I spent some months finding, compiling and editing rips of TV and live recordings on old VHS tapes and radio broadcasts to cassette tapes and here is what I got. Enjoy! With love from Mogadishu.
https://soundcloud.com/caykh/au-revoir- … u-a-taped) 8.00
v/a - we built the colossus and miss the stars TAPE compilation (tape compilation feat. oak, unru, auszenseiter, somerset, svffer, strafplanet, leechfeast, ken burns, mariesena, contwig, flowers of carnage, chuck bass, lentic waters, easy lover...) 5.00
T-shirts
SVFFER - in things which deranged us T-SHIRT (vendetta - limited SVFFER shirt, only available from vendetta / bis aufs messer 2 colored frontprint, label-backprint fair trade shirts in S / M / L / XL) 13.00
On it’s way
New SELF DEFENSE FAMILY LP
New BITTER END LP
FLESH WORLD LP & 7“
New BOSSE DE NAGE LP
And lots moreee