Hey. winter is coming. A bunch of sick new releases arrived like the amazing BLONDE REDHEAD boxset on Numero, the new PISSE 7“s, the new OATHBREAKER DLP and the SUPER UNISON LP a long with a few deathwish restocks (cursed etc), the JENNY HVAL LP, the new HISS GOLDEN MESSANGER LP, new NICK WATERHOUSE LP and a bunch of other goodies.
we got a new ADAGIO830 mixtape on our bandcamp feat. current and upcoming jams by DARK BLUE, Slow Worries, Artefact, Rank / Xerox, Levitations, BAD VISION, Härda Ut etc. enjoy. Another one is in the works with more heavy stuff J
https://adagio830-records.bandcamp.com/ … mixtape-ii
ALSO LOTS OF ADAGIO830 shirts / sweatshirts / tote bags etc are back in print in new color schemes
Also we preparing pre oders for the upcoming RUINED FAMILIES LP and the KINDLING 12“ .. stay tuned J
And we got two awesome showscoming up:
Oct 24th MIKE WATT / ANDREA BELFI / STEFANO PILIA & DEAN ROBERTS (kranky) at Monarch
https://www.facebook.com/events/1022839774460899/
and then on Oct 30th MERCHANDISE (4AD – new RECORD IS GREAT!!) and EZTV (Captured Tracks)
https://www.facebook.com/events/497850343738477/
Stay brutal
Robert & Klose & Norman
mailorder@bisaufsmesser.com
www.bisaufsmesser.com/store
http://www.facebook.com/BisAufsMesserRecordstore?ref=ts
http://bisaufsmesser.wordpress.com/
http://soundcloud.com/adagio830
http:/www.adagio830-records.bandcamp.com
http:/vendetta-records.bandcamp.com
http://vendettarecords.com
7“
PISSE - Kohlrübenwinter #1 7" (phantom winte - 4-track ep (fahrradsattel, alt sein, hundegelatine, drehtür), co-released with phantom records) 6.50
PISSE - Kohlrübenwinter #2 7" (in a car - 4-track ep (armes schwein, vernissage, schwätzer, dienstleistungsgesellschaft), co-released with harbinger sound) 6.00
TURNSTILE - Move Thru Me 7" (The future is built by the youth.Defined by perpetual motion and dedicated to personal freedom, Turnstile requested in 2011 that we play by “New Rules”; in 2013 that we Step To Rhythm and “Keep It Moving”; and in 2015, to strive for Non-Stop Feeling. Always more appeal than demand, more liberation than limitation, Turnstile extend their hand in 2016 with Move Thru Me. Three new songs: “Come Back For More”, “Harder On You” and a title track, rounded out with a cover of “Fuck Me Blind” by Washington, D.C.’s Give, incite complete physical and emotional carte blanche. As the band says, “The cover fit so perfectly with the idea of the record as, to me, it is about the freedom to be who you are, love who love, and not living within limits created by society or by yourself. It’s an important song in hardcore for our generation so we wanted to cover it.” Born in Montgomery and Prince George’s, the two most important counties in the world bordering the most important city in the world, with aide from Columbus, Ohio, Turnstile’s brand of youth-minded, youth-driven hardcore punk intend on breaking down barriers, sonically and ideologically. Constantly growing, constantly changing, super motion. Move Thru Me, a taste of the future out now on Pop Wig Records.) 7.00
LP
BLONDE REDHEAD - Masculin Féminin 4xLP + BOOK (numero - Teeming with the energy and grit of pre-Giuliani Manhattan, Blonde Redhead’s long out-of-print early recordings have finally crawled their way out of the '90s basement. Weighing in at 37 tracks, Masculin Féminin compiles the band’s first two albums for Steve Shelley’s Smells Like Records, their period singles, extant demos, and radio performances onto four albums. Dozens of previously unpublished photographs illustrate two lengthy essays on this essential New York band’s formative years.) 55.00
DASHIELL HEDAYAT - obsolete LP (replica - Essential: a masterpiece of progressive rock music Obsolete is a great slice of counter-cultural French poetry delivered in the form of psych-tinged rock by Dashiell Hedayat. Of course, this album is also an essential listen for fans of Gong, as they were Hedayat’s backing band for this recording. Reissued on Replica) 16.00
FABRK FABRIK - same LP (Wenn jedes Heute wie morgen ist, dann liegen die Antworten auf die Fragen von heute im Gestern begraben. Fabrik Fabrik sind hier, um sie auszubuddeln und auf den Seziertisch zu legen. Das Debütalbum »Fabrik Fabrik« ist eine hitzige Analyse des Jetztzustands, die tief in die sumpfige Geschichte der kalten Kultur eintaucht, gegen die es sich stemmt. Vom programmatischen Opener »Alles ist Fabrik« bis zum letzten Stück, einer Coverversion von Slimes »Der Tod ist ein Meister aus Deutschland«, zieht das Berliner Quartett eine Linie von der Tristesse des Jahres 2016 bis zur Großvatergeneration und dem Hurra-Patriotismus vergangener Tage, die in diesen unseren nachhallen.) 14.00
FRAMEWORKS - smother LP (deathwish - Since their 2011 inception, Gainesville’s Frameworks have become a favorite of many in the emotional hardcore scene. Creating music in the vein of Touché Amore, Explosions in the Sky, Modern Life Is War, and other uniquely powerful artists. “Smother” is the highly anticipated sophomore album from Frameworks, and their first for the Deathwish label. The album was recorded by Matt McClellan (Being As An Ocean, O’ Brother, etc) at Glow In The Dark Studios and mastered by Brad Boatright (Converge, Self Defense Family, etc) at Audiosiege Mastering. “Smother” as a whole is a massive leap forward for Frameworks. The album dynamically pulses with hook-laden melodious riffs and moving emotional crescendos. All of it gushing with a rare creative beauty and maturity that will appeal to listeners from all corners of the underground music world.) 16.00
HARM WÜLF - hijrah LP (deathwish - Harm Wülf is G. Hirsch, known for his lyrical and vocal work in Blacklisted. Harm Wülf is inspired by a range of artists: from the tranquil resonance of Low, to the rhythmic acoustic strumming of Strength Through Joy, and the ascending power of Angels Of Light. Even calling to the insular/grotesque Americana of Cormac McCarthy and Flannery O’Connor, etc. Most times sparse and austere and at others apocalyptically orchestrated, Harm Wülf has the sound of something long since missing. “Hijrah” is the emotional sophomore album from Harm Wülf. Where the debut album (Deathwish, 2013) was primarily built on the singer/songwriter experience, “Hijrah” introduces a wash of stark instrumentation with Jon Nean of Blacklisted on Bass and engineer/musician Arthur Rizk (Inquisition, Prurient) on Percussion backing G. Hirsch as he performs all vocal, guitar, and harmonica duties. Altogether they have created a dark and emotional atmosphere that is more fully realized than ever before.) 16.00
HISS GOLDEN MESSENGER - Heart Like a Levee LP (merge - The writing of the songs that became Heart Like a Levee started in a hotel room inWashington, DC, in January of 2015 during a powerful storm that darkened the East Coast. At that time I was feeling—more acutely than I had ever felt before—wrenched apart by my responsibilities to my family and to my music. Forgetting, momentarily, that for me, each exists only with the other. How could I forget? Though maybe my lapse was reasonable: I had just quit my job, the most recent and last, in a series of dead-end gigs stretching back 20 years, with the vow that my children would understand their father as a man in love with his world and the inventor of his own days. They would be rare in that regard. And then—driven by monthly bills and pure fear—I left for another tour, carrying a load of guilt that I could just barely lift. But in that snowy hotel room I found the refrain that became my compass: I was a dreamer, babe, when I set out on the road; but did I say I could find my way home? — M.C. Taylor) 20.00
JENNY HVAL - blood bitch LP (sacred bones – restock - Jenny Hval’s conceptual takes on collective and individual gender identities and sociopolitical constructs landed Apocalypse, girl on dozens of year end lists and compelled writers everywhere to grapple with the age-old, yet previously unspoken, question: What is Soft Dick Rock? After touring for a year and earning her second Nordic Prize nomination, as any perfectionist would, Hvalimmediately went back into the studio to continue her work with acumen noise producer Lasse Marhaug, with whom she co-produces here on Blood Bitch. Her new effort is in many respects a complete 180° from her last in subject matter, execution and production. It is her most focused, but the lens is filtered through a gaze which the viewer least expects.) 20.00
NECRONOMIDOL - nemesis LP (specific - crazy mix of black metal, darkwave and idol music from Tokyo. Just insane) 15.00
NICK WATERHOUSE - Never Twice LP (Nick Waterhouse, the rhythm & blues fanatic who combines an uncanny old-school sensibility with a charged, contemporary style, is set to release his third album ‘Never Twice’ on Innovative Leisure. As ever he is inspired by the overmodulated sound of vintage R&B, invoking the back-alley thrills of New Orleans, Detroit, and Memphis in their heyday, using old school values to hone a new sound. Having earned his stripes producing garage-rocker Ty Segall and the Allah-Las as well as releasing the critically acclaimed albums ‘Time’s All Gone’ and ‘Holly’, Nick Waterhouse’s latest album ‘Never Twice’ is a culmination, intensification, and realization of everything he’s been developing throughout his career. Catchier and loaded with more hits than ist predecessors, Nick’s new LP is at the same time harder hitting, more rhythmic, more harmonic, more diverse, and more adventurous than both those albums. A cool and elegant post-post-modern cocktail of 1950s r&b and club jazz, mixed with 1960s soul and boogaloo, and shaken with a minimal contemporary sensibility, ‘Never Twice’ finds the artist taking his time, refining his vision, and speaking with new authority. Nick Waterhouse has come a long way and it looks like he may have just painted his masterpiece. 180 Gram Vinyl, Tip-On Jacket, Download Card & Printed Insert) 25.00
OATHBREAKER - rheia DLP (deathwish - Rheia” is the groundbreaking album from Belgium’s Oathbreaker. Engineered, mixed, and mastered by Jack Shirley (Deafheaven, Loma Prieta), “Rheia” is a true game changer for the genre. Blurring lines and dissolving the boundaries of heavy music as we know it today. Opener “10:56” begins with a haunting guitar riff and Caro Tanghe’s beautifully sung vocal before abruptly soaring to new heights with “Second Son of R”. Its blasts of melody mutate into a blackened buzz while waves of tempo changes pound down with intense emotional weight. “Being Able To Feel Nothing” then rolls in like a storm. Chaotically breaking apart to reveal the eye before churning once again. “Stay Here / Accroche-Moi” is an otherworldly reverb drenched acoustic number that leads to “Needles In Your Skin”. A deeply personal song that showcases the artistic strength vulnerability brings. It’s hard to believe that this is just the half way point of this post everything masterwork. “Immortals” then unfurls as a goose bump inducing monster. This leads to the ambitious “I’m Sorry, This Is”, “Where I Live”, and “Where I Leave”; A musical triptych that needs to be heard to be believed. All of it comes to an end with mesmerizing closer “Begeerte”. Ethereally materializing before vanishing into the beautiful unknown) 25.00
SUPER UNISON - auto LP (deathwish - Oakland, CA trio Super Unison features Meghan O’Neil Pennie (formerly of PUNCH) on bass and vocals, Justin Renninger (formerly of Snowing) on drums, and Kevin DeFranco on guitar. Formed in 2014, they released a self-titled EP on vinyl and cassette formats soon after. The EP was incredibly well-received and praised by publications far and wide, from Rolling Stone to Brooklyn Vegan. The band toured the western portion of the USA following the EP’s release, which included shows with Shook Ones, Self Defense Family, Coliseum, Dogs on Acid and more. As veterans of the Bay Area scene and beyond, Super Unison have become known for their incendiary live show in their relatively short time as a band thus far. Super Unison have partnered with Deathwish to release their anticipated new album, “Auto”. The album was recorded at Atomic Garden Studios by Jack Shirley (Oathbreaker, Deafheaven, Loma Prieta). Like their self-titled EP, Super Unison’s latest offering is concise and intense with most frantic songs coming in at the two minute mark. Within “Auto”, Super Unison introduce a wash of discordant melody and texture into the fray. Keeping things fast paced and smartly aggressive at every twist and turn.) 16.00
YOHUNA - patientness LP (Yohuna is Johanne Swanson. "Beautiful, layered music that mostly resists classification: too pop to be electronic, too soft to be rock, too X to be Y, too A to be B (...) Take “Lake,” the opening song off Yohuna’s long-time-coming debut LP, Patientness, which is out now on Orchid Tapes (and includes a re-recorded version of beloved, Hunger Games-referencing "Badges"). With a bittersweet cloud of synth and guitar, "Lake" sounds like a summer spent in the shade of a tree, a meditation on a passing moment. The light on the lake/ How it gives and it takes/ Like a summer/ Far away, she sings. It sounds a little electronic, a little rock, and a little pop. But it’s not quite any of those things." (The Fader)) 17.00
YVES TUMOR - Serpent Music LP (pan - The enigmatic Tennessee-raised, Turin-based Yves Tumor presents a poignant new album, recorded between Miami, Leipzig, Los Angeles and Berlin over the past three years. Evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, ‘Yves Tumor’ emerges as his most personal and matured incarnation to date. With involvement across various artistic outlets expanding to fashion such as a visceral live performance for LA’s Hood By Air earlier this year, the global artist has built a distinctly bold personal aesthetic both musically and visually as a performer. Painstakingly written from pieces developed upon since 2013, the new record, titled ‘Serpent Music’, was initially composed as a soul record – based around delicate and emotive songwriting in various forms. It was a highly difficult project to undertake on both a creative and personal level, weaving thematic links through paranoia, social anxiety, and missing loved ones. “The songs come from a much more emotional and very vulnerable place… They’re very close to me and I’ve been cautious of how I would eventually present them to the world.” he explains. The album spans sonically diverse and richly-textured pieces, formed from live, organic instruments, samples and various field recordings. Dreamlike lo-fi psychedelia sits alongside broken electronic experimentations, ambient compositions between abrasive noise offer insight into a haunting otherworld. From melodic choral vocals and soaring synths, to screeching guitar riffs, dramatic spoken word samples and live drumming, ‘Serpent Music’ evidently moves through a strange and intriguing personal journe) 20.00
V/A - Inuit - 55 Historical Recordings Of Traditional Music From Greenland 1905-87 DLP + CD (Recorded in several places in Greenland and Canada from 1905 to 1987. Compiled by the Danish ethnomusicologist Michael Hauser for his book 'Traditional Greenlandic Music' published by ULO in 1992, edited by Karsten Sommer. This record, published a few years ago only in Greenland by Ulo, released on Sub Rosa in 2000 on CD and now in 2016 for the first time on double Vinyl! This is more than an hour of ultra-rare documents. It makes the point of a century of Inuit recordings! The complete booklet includes many notes, comments and photos. Voices recorded almost a hundred years ago in Greenland on wax glader cylinder... for today, hearing a lost shamanic story, a duel-song, a mournful melody... This record presents a unique collection of drumdance and songs -55 historical recordings of traditional Greenlandic music recorded between 1905 (by British ethnologist William Thalbitzer) and 1987, and collected by Danish ethnomusicologist Michael Hauser. This is - beyond the document in itself - a way to get lost in time and space. What is greatly astonishing is to discover how these people are close to ourself - hope, happiness, mourning... humanity is right there.) 23.00