Welcome. Don´t know if you already in christmas present shopping mode – but we def got lots of cool things that would go well under the christmas tree with your loved ones 
Labelwise we finally recived the the copies of the DARK BLUE – start of the world LP on ADAGIO830. The ULTHA DLP on Vendetta is down to the last copies ... and we still got on RUINED FAMILIES bundles left.
Besides that lots of mailorder items arrived like restock of the WOLVES IN THE THRONE ROOM records, the new long awaited LIMINANAS LP on Hozac, retsock of the BOHREN & DER CLUB OF GORE – sunset mission DLP, BOHREN & DER CLUB OF GORE - Black Earth DLP re issue, MINIMAL MAN - The Shroud Of LP, NUMENOREAN - home LP restock with other seasons of mist titles, THEE OH SEES - An Odd Entrances LP, TUXEDOMOON - Half-Mute LP, THE PROLETARIAT - Soma Holiday LP re issue, ROY MONTGOMERY 4LP box set restock, DIÄT - positive energy TAPE, TYVEK - Origin Of What LP restock, BEACH SLANG restocks, some other new Hozac titles
Ok happy browsing
Stay brutal
Robert & Klose & Norman
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7“
ANTI CORPOS - Forma Pratica De Luta 7" (Following their debut 7" and European Tour from last year, ANTI-CORPOS strikes back with new release and next tour. New 7" contains eight intense fast and tight songs with political feminist message. It's still full on rage but this release can show how band developing their own sound and make it even more powerful than before. This is a co-release between Emancypunx Records (Europe) and No Gods No Masters Records (South America).) 5.00
ANTI CORPOS - Contra Ataque 7" (This intriguing name showed up as graffiti at subway stations from Sao Paulo to Berlin. After a couple of weeks of investigation, it was clear that it belonged to a new, rad all-female band from Brazil. Their music, message and attitude is nothing less than the perfect soundtrack to the annihilation of bigotry, inequality, machismo and homophobia. Influenced by the local girl-punk scene and bands like KAOS KLITORIANO and BULIMIA, as well as a long tradition of raging Brazilian HC/thrash, they're releasing their debut 7" with seven aggressive tunes.) 5.00
BIB - demo 7" (deranged - Omaha, Nebraska, conjures up images of steak, Warren Buffet, and Saddle Creek Records. One doesn’t think of hardcore punk. In comes Bib — noisey, blown-out hardcore from the middle of nowhere. Adhering to the “everything louder than everything else” approach, Bib’s colossal riffs sound like an avalanche when the bottom drops. Squirmy, effect-laden vocals veer from the huge to the weird. Live, sometimes with three guitar players, Bib takes the wall of sound to a whole new level that leaves your eardrums vibrating . This straight ahead, downstroke-pounding demo has been likened to Hoax mixed with Pissed Jeans. Originally released on a limited run of self-dubbed tapes, Bib is happy to bring their demo to life as a seven-inch on Deranged. A new seven-inch is in the works for late summer.) 6.50
THIS KIND OF PUNISHMENT - Radio Silence 7" (superior - Recorded in Auckland in 1984, these archival tracks capture seminal New Zealand band This Kind Of Punishment’s unique alchemy of poignant melody and four-track claustrophobia. The previously unreleased “Radio Silence” offers an astringent, phantasmagoric comment on—and perhaps retreat from—the contemporaneous NZ scene. “Reaching An End” (from legendary compilation Killing Capitalism With Kindness) is a classic in the mold later perfected on Peter Jefferies’ solo output: unadorned piano blanketed by rich, wistful vocals, plucked strings and muffled drum beat. Less, after all, can be so much more. Cover photography by Chris Knox. Translucent orange vinyl pressed in limited edition of 1,000 copies.) 12.00
LP
BAD BAD - s/t LP (s-s bAd bAd started in 2012 when Christian Zamora and Eli Maness started making noise in the foggy outskirts of San Francisco’s Sunset District. Joined by Christian’s brother Michael and drummer Patrick Webb, the band obsessed on the faraway sounds of Peruvian ’60s legends Los Saicos and the Turkish guitar melodies of Erkin Koray, as well as Link Wray. After a year or so of playing hyperactive spaghetti western instrumentals and now based in Oakland, they incorporate other influences: the pop-infused punk of Jay Reatard, one-chord Hawkwind power jams, and the highbrow playfulness of the Suburban Lawns. Disparate sounds, yes, but bAd bAd turns them into exciting buzzsaw-pop with Barrett / Floyd interludes. With recording starting in 2015, they perfected this album until it became a seamless psychedelic pop piece of punk energy.) 18.00
BERT JANSCH - it don't bother me LP (superior - 'It Don't Bother Me' is the second album by Bert Jansch, released in December 1965. The album was produced by Nathan Joseph and Bill Leader, although Leader was left uncredited This, Jansch's second album, followed the landmark first's release by less than a year, still in 1965. It pretty much represents a continuation of the first, though here he plays a couple of works with John Renbourn on second guitar (the exotic North African-sounding vocal piece 'My Lover,' and the incredible instrumental 'Lucky Thirteen'), and the traditional piece '900 Miles,' on which he shows that he can play the banjo as well as the guitar. Other high points include the interesting solo instrumental 'The Wheel,' the chilling commentary title cut, and the more lighthearted 'As the Day Grows Longer Now.' This superb edition is the second in a series of all seven of Bert Jansch's Transatlantic Records recordings, all of which have been remastered from the original master tapes for the first time ever.) 25.00
BILL ORCUTT & CHRIS CORSANO - Live At Various / Various Live DLP ("That guitarist BILL ORCUTT and drummer CHRIS CORSANO would play as a duo should come as a surprise to no one. As artists, both of them have bent sonic boundaries to the breaking point, especially as regards rock-based music, and they have long flowed through the same international sub-underground arteries. It was only a matter of time. The first fruit of their union was a brain melting LP called The Raw & The Cooked (2013), recorded on tour in 2012. Live at Various / Various Live is made up of the two Palilalia cassettes that followed it. The tracks were recorded between a couple of tours, one in 2013 and one the following year, in Northampton, Mexico City, Brooklyn, Montreal, Cleveland and Rochester. And they demonstrate the ferocity of Orcutt's return to the electric guitar. Twinned-up with Corsano, Bill goes for the most distorted and bleeding tones available, whether pouring out frenzied clusters, or slow-bending blue-notes in the tradition of Loren Connors, the raunch of the proceedings is a physical presence. And Corsano goes deep into rolls and splashes with an almost perverted intensity. There ain't much space here for sweetness or subtlety. The music is driven home with mallets, achieving a near-Beefheartian density in spots. Heard as a whole, this album provides a gush of relentless thug-beauty of a sort that has never been in long supply. Grasp it now or hold your sad peace for now and ever."—Byron Coley. Double LP with gatefold cover. Recorded by Chris Corsano and Bill Orcutt on tour in 2013 and 2014. Reissue of two cassettes originally released on Palilalia as Live At Various and Various Live. Edition of 500.) 35.00
BOHREN & DER CLUB OF GORE - Black Earth DLP (pias - Welcome to the further adventures of Bohren and his crew of axe carrying jazz deconstructionalists. This is their second album released on Kreidlers's Wonder label after the equally essential 'Sunset Mission' from 2000. How to describe Bohren? They are jazz, they are ultra dark - but please throw away out all of your prejudices. A core band of four playing drums, bass, piano, keyboards, saxophone very slowly (in a classical framework) without any traditional jazz rhythm feelings. They are one of the most confusing and interesting groups operating today having once been a full on death metal band before some very strange metamorphosis took place. 'Black Earth's ability to weirdly bliss you out with their slo-mo clouds of atmosphere and gently dread make it one of my highlights of 2002. Fans of Twin Peaks simply have to investigate without any further delay! Essential.) 26.00
BREAKDOWN - The '87 Demo LP (painiller - 540 Records and Painkiller have teamed up once again to bring you the other half of the legendary “Breakdown; Both Demos” series: the legendary ’87 Demo. BREAKDOWN's original 1987 lineup was only together for a few short months, but in that time they produced one of the most legendary and influential recordings in the history of New York Hardcore. Paving the way for every hard and heavy band to follow, Breakdown’s take on hardcore was balanced with the perfect mix of hip hop’s bounce, the power and dynamics of heavy metal, and an unmistakable New York accent laced across a tough, streetwise sound that could only have come out of 1980’s New York City. This LP contains the full 9-song ’87 Demo, released here for the first time on vinyl in its entirety, backed with a crushing live set recorded on WNYU radio’s Crucial Chaos during the summer of 1987. Both recordings have been faithfully restored from original sources and sound better than ever. Includes a full color 12”x24” poster insert with extensive notes and anecdotes from members of the NYHC scene.) 20.00
BUILT TO SPILL - Ancient Melodies Of The Future LP (1972 - Formed in 1992 in Boise, Idaho by guitarist and vocalist Doug Martsch, Built to Spill has since evolved radically, shed members, linked eras, and all the while endured as one of the most tuneful and rewarding acts of the lauded Northwest indie-rock tradition. The group signed to WarnerBrothers in 1995, but Martsch was wise enough to retaincontrol over production, and by 1999 he’d helmed thegroup towards commercial and critical success with Keep it Like a Secret. It was a touchstone album, and yet 2001’s Ancient Melodies Of The Future bested that career highlight with considerable grace and craft. Marsch’s studio proficiency is immediately evident in the alternately delicate and devastating mix of mellotron, keyboard, and inventive guitar overdubs that characterize Ancient Melodies Of The Future’s sonic palette. Melodic curlicues distinguish the minor hit “Strange,” while woozy grooves propel the mid-tempo ballad “Trimmed and Burning” through an incendiary solo section. As the album title suggests, Ancient Melodies Of The Future stands outside of history in a realm of its own.) 22.00
CARTHAGO - Alech LP (habibi - When we first decided to start Habibi Funk, a label dedicated to re-releasing „funky" Arabic music from the 1960s to 1980s, a band called Dalton was the first release we worked on. Dalton was a band from the Tunisian capital of Tunis and they played a unique mix of soul & funk with an Arabic DNA. We licensed the release from the band’s composer Fawzi Chekili, and when we spoke to him on the phone in preparation of the release he mentioned another band he was part of, called Carthago. Our work with Habibi Funk is like a big treasure hunt. There are too many great bands that fully vanished into obscurity and didn’t leave any traces in the digital sphere yet. We are so used to the internet providing all informations we might be looking for, but Carthago was one of those bands where the internet largely failed to provide any infos despite the fact that Carthago created some incredible music in the form of an highly infectious Tunisian take on disco music. Luckily most of the members of the 1970s musical scene of Tunis are still around to tell their story. ) 13.00
COWARDS - still LP (throatruiner - "Far from resting on the laurels earned with their monumental second full-length, 2015's "Rise To Infamy", Paris most nothing COWARDS keep it busy with "Still". This brand new EP gather all their abilities - the sharpest riffing, the vilest grooves - on side A, with three tracks between thuggish sludge, unmoshable hardcore and knife-fighting black metal. Side B features two life-crushing covers (The Police "Every Breath You Take" and The Horrorist "One Night In NYC") in the grand COWARDS tradition, recorded during the Rise To Infamy sessions.
Once again produced by Francis Caste at Sainte Marthe Studios and illustrated by Camille Blanchemain, "Still" crowns these full-time lonewolves as one of the most focused, major acts in today's metallic hardcore realm. Played by and for people who have strictly zero concern about fitting in any scene, ever.") 12.00
DARK BLUE - start of the world LP (ADAGIO830 - Dark Blue follow up their debut LP, ‘Pure Reality’ (Jade Tree), with ‘Start Of The World’ (/ADAGIO830/ 12XU) - a soundtrack of a decaying United States. Each song drips with the realities of atrocities happening all around us. John Sharkey III (Vocals, Guitar) pushes Dark Blue far beyond the post-punk meets oi sound they perfected on their earlier releases, and adds elements of brit-pop and shoegaze. Recorded by Jeff Zeigler (Kurt Vile, Nothing), ‘Start Of The World’ is a pop album that makes no apologies. Boot stomping opener “Union of Buffoons,” sets the political tone for this album with an anthem for workers' rights. Sharkey's biting lyrics: "You can’t fight this, you can’t win…screw you once, they’ll screw you twice," is a reference to human expendability in the face of deregulation and the stagnancy of labor rights. "Never Wanted to Hurt You" is a pop song in the highest order with guts and an undeniable chorus that would make Noel Gallagher jealous even at his most jaded. The 50's doo-woop and surf rock sound of "Bombs on the Beach" initially feels like a left turn for the band, evoking a playful innocence against a sunny backdrop. But the lyrics prove this is truly a Dark Blue song, tearing through any cheerfulness as jarring and abrupt as words can be to describe the reality of dropping missiles on a beach of unsuspecting Palestinian children. Sharkey's voice is heavy with the despair of survivor's guilt: “Now I’m holding my baby’s hand, as he lies bleeding to death in the sand." This is another pointed song full of sentiment as much as it is an impassioned call for accountability for the crimes against humanity in the Gaza Strip. While this album shows off new and varying degrees of Sharkey's vocal intensity, Andrew Mackie Nelson (Bass, Ceremony) and Michael Sneeriger (Drums, Strand of Oaks) shine, guiding the songs in ways other releases haven't shown before . Tracks such as "Be Gone Everyone" and "Western Front" underscore just how comfortable the band has gotten. ‘Start Of The World’ is the kind of record that Dark Blue has always promised: a collection of smart, fully realized songs that tell stories. With the world falling apart around us, Dark Blue continues to give voice to neglected perspectives, many unnerving but all necessary to hear. We need a defiant record like this to remind us that just as there was start to all of this destruction, there can also be an end. - Sean Gray) 14.00
DEATH - The Sound Of Perseverance DLP (relapse - DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released its final studio album The Sound of Perseverance (’98) to massive worldwide critical acclaim. The Sound of… is the masterstroke of one of metal’s true pioneers and innovators, and indeed worthy of the worship, adoration, and accolades that announced its original release (’98). Now remastered, repackaged and featuring over an hour of newly unearthed and previously unreleased material(extra tracks and early demos), this is the definitive edition of this timeless classic. ) 25.00
EKSTASIS - the book of longing DLP (sick man - "Gorgeous gate-fold heavy cardboard sleeve, adorned with Gold foil and lush imagery. Two LPs containing our auditory crystalline weavings in physical form, plus a 12" booklet with lyrics and custom artwork by JR Rothfuss accompanying each song." "With an album name as beautiful as The Book of Longing, one can expect a lot from Ekstasis, a folk band from Olympia, WA.Ekstasis call their folk music “ecstatic folk” music, and to me it sounds like a blend of neofolk with postrock, oral storytelling traditions and prayer (because of the repetitive character of the tracks).More than anything The Book of Longing is a beautiful album. The melodies are crisp, the vocals are soft and clean, and listening to this album just brings a smile to my face. The flutes and violins sound warm on the recording.While The Book of Longing is marketed to fans of European folk from Ireland to Romania and lovers of medieval and Persian classical traditions, I think a different audience might enjoy this album. In my opinion, lovers of bands like DBKU, Dead Can Dance and Sol Invictus might find their manna in this album.To conclude: The Book of Longing of Ekstasis aims at changing folk. They did not change folk that much in se, but they made a beautiful neofolk album." ( darkview )( 24.00
EMAHOY TSEGUE MARIAM GUEBRU - s/t LP (At last! The second LP in our ongoing series of releases from MARIAM-TSEGUE GUEBRU! More 1960s recordings of her truly unique solo piano performances. Mariam-Tsege Guebru is a true original—her playing is somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear! All original compositions available for the first time on vinyl beyond the original early 1960s editions, which are completely impossible to find. Old school "tip on" cover with gold foil printing. A must have master piece for anyone who needs some spiritual comfort. Edition of 1,800 copies.) 20.00
THE FALL - Hex Enduction Hour LP (Hex Enduction Hour was originally conceptualized as the death knell for The Fall. Beleaguered by career uncertainty and guided by vague premonitions of collapse, Mark E. Smith declared that one full hour was needed to thoroughly and perhaps finally state his case with The Fall. This framework resulted in a true classic of the post-punk era and an album that gave The Fall their first taste of album chart success, thankfully removing surrender from the equation. Recorded in haste in both Iceland and England in late 1981, the performances on Hex Enduction Hour are among the band’s most urgent and distinctive. The album begins with the severe provocation of “The Classical” and the terse punk of “Jawbone And The Air-Rifle,” but it’s “Hip Priest” that stands out as Smith’s calling-card theme, a song that would become inextricable from his character (or perception thereof) in the years that followed. The elongated “And This Day” fittingly positions the band as spell-casters, closing the hour by filling every conceivable bit of space with wild, primitive percussion and whimsical electric piano. Superior Viaduct’s edition is the first time that Hex Enduction Hour has been available on vinyl domestically since its initial release in 1982. Liner notes by Brian Turner.)23.00
GHOSTWRITER - s/t LP (s-s records - The small towns of California’s northern Central Valley have an eerie loneliness to them. Cinematically, take Two-Lane Blacktop and fuse it with Neil Young’s Human Highway. Fix that into music and you’d get something like Ghostwriter. Odd rock & roll from Orland, California, the home of the dearly departed Nothing People (and theater organ legend George Wright), Ghostwriter lurks in the dust-caked shadows of rusted old cars and “obsolete,” solidstate, electronic instruments. The Chrome-meets-psych sounds of the Nothing People is there, with some haunted rockabilly à la Alan Vega, Residents-like wooziness, and something that conjures the words “paranoid closet.” These outsider / loner rock sounds will be listened to for years to come.) 18.00
THE INTENDED - Time Will Tell LP (in the red - The Intended formed years ago in a procrastinator’s three-subject notebook during chemistry class. Four longtime friends began passing the time playing music together—Kevin Boyer, Larry Williams and Heath Heemsbergen were playing in Tyvek; Glen Morren and Heath Moerland made sounds in Detroit freakout ensemble Odd Clouds, and after many jams, a band existed. Trying out song ideas, working on a ’60s cover, expanding on sketches—a few local gigs and a few years pass. The zero-pressure nature of how The Intended began shows up in how the group progressed: a single materialized and the band’s vibe was caught perfectly on four track by Chris Durham in his basement practice space. More four track sessions ensued until a bag of unlabelled cassettes made its way to the studio to be transformed into the debut album: Time Will Tell. Held together by a raw fidelity (those tape warbles and wonky pitch changes aren’t plug ins), the songs twist through diversions such as the ebullient blasting of “The Ineffable,” the juvenile classroom anxieties of “Dirty Secret,” and the spoken revelations of “Beast and the Priest.” Straying from Tyvek’s punk tendencies, mellow ’60s rockers “Don’t Wait Too Long” and the title track hit a jangling nerve. Time Will Tell shines a spotlight on the blemishes of youth, somehow embraced with a fearless yet awkward glance.) 18.00
JIMMY LEE HARRIS - I Wanna Ramble LP (big leag - Originally included in the George Mitchell Collection (vol. 25), a much lauded series centered around George Mitchell's travels around the South, recording some of the best known and unknown bluesmen alive at the time. Released now as part of Fat Possum's 25th Anniversary blues series where Big Legal Mess and Fat Possum hand pick some of the most deserving of the George Mitchell collection to re-release on vinyl. Extremely limited.) 19.00
THE LIMINANAS - Malamore LP (hozac - By now this Perpignan band is less of a shadowy illusion and more of a full-on force of French underground sounds, and we couldn’t be happier to being a part in helping perpetuate this fully-blossoming evolution. HoZac had the honor of releasing the debut single from Les Liminanas in early 2010, featuring their most enduring song “I’m Dead” as well as their Crystal Anis LP a few years after, and in a short amount of time, they’ve laid the foundation of darkness delicately into their hazy template of swirling, mind-expanding soliloquies for all to see, hear, and feel. As time has passed, the band has expanded and contracted with whatever size ensemble worked best at the time, still rotating around the core members Marie & Lio but switching out lead vocalists and backup members until they found the right fit. Their newest incarnation features the duo with a full band, much like you’d see onstage when they play live, keeping those delicate nuances in top form, and allowing Marie & Lio to steer this vessel straight into your pleasure zones. On their new LP ‘Malamore’ they keep their lyrics mostly in English, yet their sly use of the French dialect is pure heaven to any fans of Serge Gainsbourg who also enjoy their side of Velvet Underground, and it’s a deadly combo to the uninitiated, to say the least. The breathy vocals inflected over the sublime feedback and fuzz coalesce into the perfect soundtrack to this utopian atmosphere, never quite reaching out fully from beyond their ethereal mist, yet grasping you firmly and pulling you into their lair where the senses are blurred into a living, breathing, embodiment of modern French noir perfection. And as if their own creative construction wasn’t already sturdy enough this time around, Peter Hook (Joy Division/New Order/Warsaw/Stiff Kittens) has even stepped up to offer his bass contribution on the track “Garden of Love,” which shimmers with other-worldly undulations and lifts the band even higher in reverence, a remarkable collaboration and a certain breakthrough, undoubtedly. Your time to indulge has come, and The Liminanas have really struck gold yet again with ‘Malamore’ their latest high water mark in effortless French pop perfection, served cold, dark, and fresh. - VictimofTime.com) 18.00
LORELLE MEETS THE OBSOLETE - Balance LP (This summer, LORELLE MEETS THE OBSOLETE brings forth their newest long-player Balance on Captcha Records. Balance is an incredibly unique record that goes far beyond the description of “psychedelic rock” and continues to defy characterization of any genre. This is a break-through record for Lorelle Meets the Obsolete: a complex album of synthetic and analog fusion. Based in Ensenada, Baja California. Their music has been described as a ‘hot pot of shoegaze and Krautrock bubbled through a psych filter’ though they self-describe it just as ‘pattern music’. Coming off of the critically acclaimed record Chambers, Lorelle Meets the Obsolete have developed and refined a balance (pardon the pun) of poetic beauty, atmospheric sound-scapes and full throttle, mind-bending psych. The album opener, Balance lays down synthetic pulsing drive similar to bands like Total Control and Has A Shadow that pulls the listener in with the full, lush palette. However it doesn’t take long for the sonic cavalry to be summoned to completely lay waste to the land. The complexity of each of the elements on Balance shows the diversity of the bands influences without seeming forced.) 23.00
MINIMAL MAN - The Shroud Of LP (bfe - “Minimal Man was founded in 1979, in San Francisco by avant-garde painter and filmmaker Patrick Miller, and the band included a revolving cast of musicians from fellow SF art punks Tuxedomoon and future members of Factrix. Minimal Man have been historically marginalized in a fertile underground music scene that included many other influential artists (including Z’ev, Flipper and Nervous Gender), and they are no doubt unfavorably compared to stylistically similar artists such as Suicide, Chrome or even NON. In truth, the Minimal Man sound was somewhat derivative, but Patrick Miller’s intensity and willfully anti-musical aesthetic provide a fascinating footnote to the history of post-punk and industrial music. The debut album, The Shroud Of was released on Subterranean Records in 1981… The Minimal Man sound is relentlessly dark and aggressive, with cheap synthesizers and drum machines, jagged guitar and occasional shrieks of saxophone all purposely pushed into the red, creating a dissonant blanket of treble-heavy distortion. Patrick Miller’s vocals are unmodulated and flat, his lyrics nihilistic, each line echoplexed, doubled or otherwise mutated into a synthetic oblivion. Chugging sequencers spit out fuzzy non-melodies as Miller cultivates his Kafkaesque persona, full of anxiety, angst and existential dread. With lyrics that indicate an adolescent fascination with Philip K. Dick, William S. Burroughs and J.G. Ballard, Miller creates a cinematic ambience of high-contrast black and white, like a German expressionist filmmaker let loose in a recording studio. Just listen to the hypnotic, swirling maelstrom of noise and dark, grainy atmospherics on “Blue Step.” Perhaps because of its relative obscurity, Minimal Man’s debut album has weathered the sands of time gracefully, and with legendary acts Suicide and Tuxedomoon currently attempting to destroy their legacies with mediocre reunion albums, The Shroud Of sounds positively refreshing in comparison…”) 18.00
THE MORNING DEW - s/t DLP (lion - THE MORNING DEW have been psych collector faves for ages. Their sole release, At Last (much like the Morgen album) becomes more obviously crucial with each passing year. After recording their legendary album for Roulette in 1969, Morning Dew headed back to Topeka feeling good about their prospects. But Roulette had problems. They did finally release At Last late in 1970... and marketed it so well it became a psychedelic rarity and a cult favorite. Even so, Morning Dew's producer at Roulette urged the band to record a demo of songs for a second album. They went to a local studio in August 1970 and blasted out eight songs, bolstered by new recruit FERDY BAUMGART's Hammond B3. Band leader MAL ROBINSON also made acoustic two-track recordings in his basement: new songs, plus others from the Morning Dew repertoire—just vocal and guitar. The band gigged while Roulette and it's honcho Morris Levy withered under scrutiny by law enforcement. A second album came to nothing. Still under contract with Roulette and still dealing with broken promises, burnt out and broke, Morning Dew disbanded in June, 1971. But those demos... they need to be heard. That's where we come in. Two records, chock full of your new favorite Morning Dew songs, plus solo acoustic versions of band classics like the monumental 'Crusader's Smile,' alternates, and more, most of which is previously unreleased. One more thing: all of this material is making its vinyl debut. Edition of 500 copies housed in a deluxe gatefold tip-on jackets. Includes a luscious 4-panel color insert with liner notes by Morning Dew songwriter Mal Robinson, plus lyrics.) 41.00
NUMENOREAN - home LP (seasons of mist - NUMENOREAN has crafted a musical masterpiece that embraces beauty, harshness, brutality, and melancholy in equal measure and transforms those ingredients into breathtaking melodies and riffs. The Canadian post-black metal act achieves far more with their debut than just following a musical path pioneered by DEAFHEAVEN, ALCEST, WOLVES IN THE THRONE ROOM, and DER WEG EINER FREIHEIT. This album challenges to delve deeper, get lost in feverish dreams, and its haunting beauty beckons again and again to come… home.) 20.00
OPEN WOUNDS - s/t LP (refuse . Open Wounds is an "in your face" hardcore punk band from Amsterdam, Holland with members of Vitamin X and Paranoid State. Heavily influenced by north American bands from the 80's like Jerry's Kids, Article Of Faith, Genetic Control, RKL, Ill Repute, Urban Waste, Youth Of Today, Adrenalin OD and newer bands such as Government Warning, Career Suicide, Cülo, Direct Control, etc. their sound is best described as classic hardcore punk. Open Wounds creates a perfect blend of pure, fast energy with catchy melodies and personal and sociopolitical lyrics.) 11.00
PERSONAL AND THE PIZZAS - s/t LP (slovenly - Hey you little jerks! Dig into the supreme sizzle of this piping hot 12” pie from the greatest freakin band in the world, PERSONAL AND THE PIZZAS! You get seven out of print 7” toppings from Oops Baby, Trouble In Mind and Total Punk, wood fired at like a thousand degrees and melting over five freakin layers of new recipe crust. “Bored Outta My Brains”... you remember that shit? Kept a few of us from blowing our brains out a couple times and it’s got the taste we keep coming back for. But yo. “Joanie.” Fuck. Personal goes creep and all a sudden I gotta wash my face. When you eat out you ricotta. New on the menu: “Concentration Camp” was pulled outta the hottest oven in the game, and the record jacket dethrones “Tres Hombres” as the freshest spread ever. You should call it “Tre Uomini.” You ready to learn something you little brats? Hot hot hot! Includes out of print singles along with five brand new tracks. Housed in full-color gatefold jackets.) 18.00
THE PROLETARIAT - Soma Holiday LP (S-S records - In 1983, the release of The Proletariat’s debut Soma Holiday was a shocker—while American hardcore punk was becoming more generic, The Proletariat unleashed something strikingly original. The album’s opening is a call to arms: the primitive, militaristic bass guitar and drums are sliced with razor-sharp guitar dissidence and vocals full of spit and bite. Avant-garde while remaining tuneful, their debut is considered one of the most brilliant albums to come out the early 80’s American hardcore scene. The leafy suburbs of Southeastern Massachusetts, midway between Boston and Cape Cod, isn’t where you would expect to find one of America’s most revolutionary sounding and lyrically incendiary rock and roll bands, but that is where The Proletariat began. In 1980, straight from Apponequet High School, Richard Brown, Peter Bevilacqua, and Frank Michaels began pounding out noise, and soon they added high schooler Tommy McKnight. Inspired by The Buzzcocks, The Jam, PiL, and Wire, the young band tapped into the high energy hardcore punk swirling around and infused it with art-punk excitement. By the time that their classic debut hit, The Proletariat were being referred to as “America’s Gang of Four” and a more supercharged Pop Group. The intelligent anger of the band was a lifeline to many suburban American rejects, young people who knew that life under Reagan wasn’t right. The sound of Soma Holiday not only sounds as fresh as ever, the thoughtful politics of its lyrics are just as relevant today in a world of drone strikes and Donald Trump, as they were when Oliver North and Leonid Brezhnev were household names.) 18.00
ROY MONTGOMERY - R M H Q: Headquarters 4xLP BOX (back in stock - It’s been over a decade since Roy Montgomery’s last album, and R M H Q is a hell of a return. This release contains four distinct records of new material. Listening to any of his work is a visceral experience—repeating phrases swell and decay, immersing the listener in the cyclical narrative of his compositions. Montgomery was in his rock band period in the eighties, when the dark, minimalist post-punk of The Pin Group lead into the gloriously open-ended freedoms of Dadamah. After a quiet spell, he returned in the late nineties, producing towering spires of guitar lines that exposed fragility between the strums. With his solo releases and in collaboration with Flying Saucer Attack, Bardo Pond (Hash Jar Tempo), and Chris Heaphy (Dissolve), his focus shifted from the truth-mining of rock music to epic celestialism. His ambitious yet humble tracks outstrip their origins, and Montgomery toured the world sitting cross-legged on the floor, playing twenty-plus-minute compositions._A long period of silence followed, marked only with a split album with Grouper (who lists Montgomery as a primary influence), involvement in Torlesse Super Group, and a couple thematic variations serving as soundtracks for films. Instead, he focused on his personal and professional commitments. Unfortunately, two horrific events preceded his return: the Christchurch earthquakes of 2011 condemned Montgomery’s entire neighborhood save for his home, stripping his street of a community; and, as a volunteer firefighter, he saw first-hand the destruction and loss of life in the city center. Additionally, since 2014, illness in the family has dominated his life. Self-expression once again demanded an outlet._R M H Q is four albums conceived and recorded over a very short period, each of them carrying a distinct focus and mood.) 70.00
SCHWACH - Kein Bock LP (refuse - Schwach is political Youth-Crew-German-Punk from Berlin. They put out a Demotape and a 7“ and now they're going to release their Debut-Album. The four guys met eachother at work in a Fast Food restaurant and decided to create a band while making fries. „Kein Bock“ means you don't want to do something, don't want to invest any energy into it – basically you don't give a shit. The lyrics are in German (with English descriptions). They deal with things such as being a person in a neoliberalist society, the production of palm oil, being against work and for a class war and personal stuff like friendship or how cool it is to skate.You can hear that the guys like traditional Youth-Crew, like Reaching Forward or Mindset but also have classic German Punk bands like ...But Alive or Slime in their record collection. Political! Powerful! Lovable! Get into it! LP is coming out as a co-release between Refuse Records, Raccoone Records and Antikörper Export Records. ) 11.00
SPECTRUM - Forever Alien DLP (When Spacemen 3—the seminal, drone-indulgent English psych duo comprised of Peter Kember and Jason Pierce — split in 1991, Pierce shuffled off to acclaim in Spiritualized. Meanwhile, Kember charted a less predictable course. As Sonic Boom, he released Spectrum in 1990, then, after taking a liking to that handle, released Soul Kill (Glide Divide) as Spectrum in 1992. Kemper alternated between those monikers and Experimental Audio Research (E.A.R.) throughout the 1990s, building a rich, probing catalog of synth and electronic explorations of which 1997’s Forever Alien is an undeniable highpoint. With theremin, vocoder, and an array of modular analog synthesizers (depicted lovingly in the cover art) Kemper, along with Alf Hardy and Pete Bassman, fused cosmische abstraction and the pulsation of minimalist composition to more traditional psych elements epitomized by early Pink Floyd. Landing between the unfettered experiments of E.A.R. and Spacemen 3’s songcraft (“How Does it Feel?” is scarily reimagined), Kemper crafts unnerving atmosphere on the title track and an enduring catalog high point on the consummate opener, “Feels Like I’m Slipping Away.” Forever Alien leaves no doubts about the reasons for Kemper’s sought-after production today (he played a vital role for Animal Collective and sculpted Panda Bear’s most recent album)—nor the essential status of his post- Spacemen 3 output.) 28.00
STACCATO DU MAL - El Mago En Ti LP (Something of an anomaly in Miami, culturally and geographically isolated from a state teeming with hillbilly abjection, RAMIERO JEAN-CARLO entertains a unique decadence under the guise of STACCATO DU MAL—at turns gauzy and drugged, energized and electric. El Mago En Ti keeps things as sinister as ever, with classic SDM sawtooth baselines, rickety clattering rhythms, lots of reverb, and analog electronics that would be best heard in a blacklit dance club or a mouldering mansion against the background of a tropical depression.) 22.00
STEVE MOORE - The Mind's Eye OST DLP (relapse - STEVE MOORE (of Zombi fame) returns with a mesmerizing new score for the action/horror film 'The Mind's Eye'. More vivid and dynamic than ever, 'The Mind's Eye' demonstrates STEVE MOORE's mastery of the vignette alongside his ability to weave together cohesive, consistent themes. Over the course of eighty-five minutes, STEVE MOORE crafts a riveting portrait of tension and terror through a variety of textures ranging from probing dark ambient and slick arpeggiations to anxious sound collage and epic, gothic bombast. The latest testament to STEVE MOORE's legacy of synth supremacy.) 25.00
THE SUBURBAN HOMES - Are Bored LP (Up until a few years ago PAUL MESSIS was mainly known for his large catalog of late '60s garage/psych inspired releases. However back in 2014, spawned mainly out of boredom and frustration he released a three-song 7” under the moniker of SUBURBAN HOMES. It was a lo-fi tinny outburst of late '70s sounding Rough Trade punk that grabbed the attention of many record hoarding aficionados, myself included. He followed that up with the excellent Conformity In The U.K. single and now Crawley’s premier UKDIY punk outfit, Suburban Homes, are back with their highly anticipated 12” on Total Punk. As contemptuous, angst ridden, and brash as ever ’…Are Bored ‘is a six track assault on complacency, hypocrisy, and modern life in general. Equal parts Swell Maps, Desperate Bicycles, Billy Childish and 100% TOTAL PUNK! Edition of 500.) 17.00
THE SUEVES - Change Your Life LP (hozac - Chicago’s punk underworld has reimagined itself several times over the past twenty years, from the cavorting slime punk damage of the early 2000s, through the fracturing of styles and directions a few years later, it’s all been simmering salaciously for generations now, and for the last few years, only a few really noteworthy band have grasped the raw agitation as well as The Sueves. Rearing their ugliness up through the tropes of plastic flowers and goofy sunglasses, these brave young ravagers are not content to sit idly by as the stench of indifference passes over the masses, always the “least chill” band at the rock’n roll party and that is really a good thing. You can’t just sit still when The Sueves are wielding their wares, both in person and on record, the aggression has to burst out somehow, and although it’s far, far easier to just appeal to the low-hanging fruit dangling at the bottom of the rock’n roll food chain, it’s far more respectable to be the ones who are bleeding and bruised, flipping over the tables & chairs with reckless abandon, every single time. ) 18.00
SUN RA - Singles | Volume 1 of 2 3LP (strut - The immense output of Sun Ra and his many backing bands, coupled with the limited production of many of his releases has long defied dedicated collectors. Parallel to a vast list of LP releases, Sun Ra released numerous 45 RPM singles; one-off meteorites from his prolific cosmic journey. Working closely with Sun Ra LLC and Art Yard Records, it is with great pride that Strut presents a definitive collection of the rare singles released by Sun Ra across his illustrious career, spanning 1952 to 1991. Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s trace the development of Sun Ra’s forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which remains unlike anything else from the period. As with his LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. Some have only been discovered in physical form in recent years; some were planned and penciled but allegedly never made it to vinyl and some appeared as one-off magazine singles and posthumous releases.) 30.00
THE TERMINALS - uncoffined LP (hozac - We are proud to present our first New Zealand band and luckily one of the finest to ever grace the Flying Nun label. The Terminals were a mid-late 80s-era supergroup featuring many important shards of the Kiwi underground, including core members Peter Stapleton, Mary Heney, and Ross Humphries from the very first Flying Nun release, the monumental Pin Group, joined with Susan Heney from The McGoohans, as well as Stephen Cogle from Vacuum and Victor Dimisich Band. Hard to keep all those intersections straight, that’s for sure, but this intense, brooding and ominous cadre of players have pulled together some of the darkest sounds to ever emanate from the isle. It’s hard to pick favorites with The Terminals, but ‘Uncoffined’ their debut LP recorded in 1988 seemed like the best place to start. It’s hard to believe something this dark and twisted could also be so catchy, sounding like not much else from the time, The Terminals never caught the indie rock afterglow that label mates The Clean, The Bats, or The Verlaines got, yet their catalog of dubious releases is still being discovered, even now as we speak. Remastered from the original tapes to revive what was lost in the haze of limp late 1980s studio mastering techniques, this improved version sparkles with hostility, the sheen of atmospheric shadows interlaced between tension-building crescendos, The Terminals ‘Uncoffined’ is a lost masterpiece of Antipodean dark wave pop music destined to reinstate it’s place in the annals of underground music history. - VictimofTime.com) 19.00
THEE OH SEES - An Odd Entrances LP (castle face - From the same misty mountaintop tape spool as August’s A Weird Exits, Thee Oh Sees bring the companion album An Odd Entrances. Delving more towards the contemplative than the face-skinning aspects of its predecessor, this sister album is a cosmic exercise en plein aire with John Dwyer and company double-drum shuffling, lounging with cellos, following a flute around the groove, and spooling a few Grimm-dark lullabies along the way. Lurking in the grass are a snake or two, like the celestial facing instrumental buzz of “Unwrap The Fiend Pt. 1.”… But for the most part this is a relatively hushed affair, a morning rather than evening listen. The band plans on donating half their profits from the first pressing to Elizabeth House, a local charity in Pasadena that specifically helps homeless women with children get back on their feet.) 18.00
TILAHUN GESSESSE - Sima! LP (mississippi - Great songs form one of Ethiopia's most beloved singers—TILAHUN GESSESSE (English spelling varies). These recordings span from 1969 to 1975 and cover the range of Tilahun's styles and moods. Some mystical modal songs, some straight up rockers, and some ballads. All totally killer songs from the golden age of Ethiopian Soul Music. Tilahun's voice, alongside Mahmoud Ahmed's, is one of the strongest in the land. Don't miss out on this monstrously good LP. Edition of 1,800 copies.) 19.00
TUXEDOMOON - Half-Mute LP (In 1980, Tuxedomoon created a sensation with their masterpiece debut album 'Half-Mute', which immediately established them as one of the leading avant-garde pop bands. 36 years later, in the spring of 2016, Tuxedomoon's original members, Steven Brown, Peter Principle and Blaine Reininger, joined by Luc van Lieshout and Bruce Geduldig, will get together to revisit 'Half-Mute' and perform it live on a series of exclusive shows around Europe. To celebrate this occasion, Crammed Discs will be reissuing the album on LP. It will be remastered & repackaged. ) 19.00
VIOLENT MAGIC ORCHESTRA - Catastrophic Anonymous LP (throartruiner - "VIOLENT MAGIC ORCHESTRA is an unique project comprised of dark techno prodigy Paul Régimbeau (Mondkopf, Extreme Precautions, Autrenoir), Japanese experimental black metal collective Vampillia and noise master Pete Swanson (ex-Yellow Swans). Their ten-tracks debut album "Catastrophic Anonymous" features vocal contributions from Attila Csihar (Sunn o))), Mayhem) and Chip King (The Body). VMO's overall sound is a multi-headed beast that can't be pitched in a single line. "Catastrophic Anonymous" roots are indubitably those of a harsh record, with expansive black metal guitars powered by Extreme Precautions-style glitchy textures & brain-melting drum machine work as well as Pete Swanson's noisy soundscapes. Then it also covers a wide range of genres - flirting with industrial techno, post-rock or drone - while always sounding effortlessly natural. Mastered by James Plotkin (Khanate, Atomsmasher) and illustrated by french artist Metastazis, "Catastrophic Anonymous" is the fruit of boundary-pushing people, and a refreshing, spectacular experience.") 12.00
WES TIREY - Black Wind LP (scissor - On Black Wind, songwriter / guitarist Wes Tirey makes the case for quality over quantity. After a stream of well received cassettes, he assembled a reserved trio and laid down the soft law on a single night. Whereas his previous releases were turned inward, this album opens out like Terence Malick meditating on prairie grass. The arrangements are spacious, simple structures of voice and acoustic guitar, with sparse backing from a telecaster and a trap kit. In addition to this fine album on Scissor Tail Records is a thematically linked book to be released by Cabin Floor Esoterica. Titled Melodrama Blues: Selected Lyrics of Wes Tirey, it collects writings from Black Wind and three past albums, all related via Tirey’s feel for a mythological americana, the threads of surrealist biblical imagery that underlie our cultural cosmos. “Tirey rides the river like Mark Twain, turning his adventures into troubador stories with rich melodies and disorienting noise.” —KEXP) 21.00
WEYES BLOOD - Front Row Seat To Earth LP (mexican summer - Received an 8.3 Best New Music rating from Pitchfork. The new Weyes Blood record, Front Row Seat To Earth, is the folk music of the near future. Natalie Mering, the being behind Weyes Blood, embeds her sublime song in a harmonic gauze of arpeggiated piano, acoustic guitar, druggy horns, and outer space electronics. Propulsive, spare drums carry us across the album’s course. There is a faded California beauty to Front Row. A gentle honesty that recalls the finest folk music made on the West Coast of the ‘70s. The hue hangs in the sweet-spooky harmonies, the pulsing sway of the vibrato, and the ecstatic chord resolves. It is the joyful release of energy as the song delicately unfolds from intro to extrospection. But this beauty is scratched with shadow; with dark foreboding, alienation, and acceptance of change. Love and loss balance together in suspended alchemy, as the earthiness of the singer-songwriter tradition wears digital sounds like feathers in its hair. Mering, together with co-producer Chris Cohen and some special guests, contrasts live band intimacy with the post-modern electric sheen of A.M. radio atmospherics. The experimental flourishes sparkle amid the succinct, thoughtful arrangements. The closeness of this record – how personal, alone, and frank it feels – conceals its aspirations to the outside, to the “Earth” of its title. Weyes Blood harbors devastating weight while also universalizing the strange ways of identity and relationships. These are not typical love songs or protest songs — they are painful, poignant riddles that celebrate the ambiguity of love and affirm the conflict of harmonious life within a disharmonic world.) 24.00
WOLVES IN THE THRONE ROOM - Diadem Of 12 Stars DLP (restock - Written almost exclusively in a windowless, black room over the long, dark nights of winter 2005, Diadem of 12 Stars was the first official Wolves In The Throne Room release. Re-imagining black metal as an ode to rain storms, wood smoke and the wild energies of the Pacific Northwest, Wolves In The Throne Room craft a unique melancholic atmosphere. Diadem of 12 Stars is about lunar sorcery on Cascadian mountaintops and encounters with wild spirits. In contrast to the icy, razor sharp soundscapes of their ’90s Norwegian forebears, Diadem of 12 Stars is lush and ethereal, dripping with rain-soaked moss and lichen. In 2006, all but a few self-defined black metal acts avoided performing live. In contrast, Wolves In The Throne Room honed the material for Diadem of 12 Stars by touring across the country’s basements and squats. It’s raw analog sound, paying homage to the band’s varied influences—the harsh black metal of Norwegians Ulver and Emperor, and their American counterparts Weakling and Ludicra; the monolithic heaviness of Neurosis and Swans; the sorrowful funeral doom of My Dying Bride; the mournful goth of Dead Can Dance—yet it distills these inspirations to create a sound entirely their own. Described by guitarist Nathan Weaver as “the most raw and punk” of their five full-length releases, Diadem of 12 Stars was recorded live to tape in Oakland by Tim Green. The band was joined in the studio by Jamie Myers (Hammers of Misfortune / Sabbath Assembly) and Dino Sommese (Asunder / Dystopia); every song was rendered in one or two takes and mixed without the aid of a computer. Originally released on a small DIY label and unavail- able physically for many years, the album has been carefully re-mastered by Jason Ward at Chicago Mastering Service. The band re-developed every photograph from the original negatives, creating richer, high quality prints in order to present the artwork as originally envisioned. Wolves In The Throne Room have released five studio albums, two EPs, and multiple live albums, including Two Hunters (2007), Black Cascade (2008) Celestial Lineage (2011), and Celestite (2014 — an instrumental, experimental companion to Celestial Lineage).) 25.00
WOLVES IN THE THRONE ROOM - Celestite DLP (rstock -Since 2002, over the course of four studio albums and hundreds of live performances, Wolves in the Throne Room have refracted the transcendent and mythic aspects of black metal through their own idiosyncratic Cascadian prism, creating music intimately linked to the wild lands of the Pacific Northwest. Celestite embarks on a deeper excursion into the crystalline, synthesizer-driven domains that have long intrigued the band. With the aid of producer Randall Dunn (Earth, SUNNO))), Master Musicians of Bukkake), the band unearths a hidden soundscape only loosely tethered to their familiar sound, yet still unmistakably the work of Wolves in the Throne Room. As the album unfolds, an ocean-deep psychedelic soundscape coalesces, and a portal opens to the hidden world of magic only accessble through dreams, visions and music. Celestite is the inaugural release on Wolves in the Throne Room’s new label, Artemisia Records) 25.00
V/A - Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll DLP (40 years ago: April 17, 1975, Phnom Penh fell to the Khmer Rouge and Cambodian rock and roll was no more. Its star musicians were targeted and killed, record collections were destroyed, clubs were closed, and Western-style music-making, dancing, and clothes were outlawed. The deaths of approximately two million Cambodians and the horrors of the Killing Fields have been well-documented; add to this John Pirozzi’s fascinating tale of Cambodia’s vibrant pop music scene, beginning in the 1950s and ‘60s, influenced by France’s Johnny Hallyday and Britain’s Cliff Richard and the Shadows. The filmmaker has assembled rare archival footage, punctuating it with telling interviews with the few surviving musicians. Cambodian culture has long been synonymous with a love for the arts. Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll pays homage to the country’s rock legends who paid for their creativity with their lives.Through the eyes, words and songs of its popular music stars of the 1950s, ’60s, and ’70s, Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll examines and unravels Cambodia’s recent tragic past. Dust-to-Digital is excited to release the soundtrack to such an important film. Compiled by the film’s director, the album is very cinematic in nature. The sequencing and newly-remastered audio transport the listener through the rock and roll history of Cambodia in a similar fashion as John Pirozzi’s documentary film. It is both entertaining and essential to hear so many tracks that are available outside of Cambodia for the very first time.) 36.00
V/A - Thank You, San Francisco! LP (smart guy - Thank You, San Francisco! is an eleven-track compilation of exclusive recordings from artists that left an indelible impression on SmartGuy Records over the years. You may note that there is only one San Francisco based “band” represented in the work. While not by design this seems fitting, as we think it’s better to highlight some of the wide array of artists that came to San Francisco as opposed to a record of local artists. Adding to the overall quality of life in The City came with no prerequisite of residency after all. As we see it there is no other City that could draw such a stylistically diverse group of musicians and that my friend is something to celebrate. Features DAN MELCHIOR (with an homage to Les Rallizes Denude), DAVID WEST (RAT COLUMNS, TOTAL CONTROL, RANK / XEROX, LACE CURTAIN), OUT WITH A BANG (hardcore band from Verona, Italy), KELLEY STOLTZ, PLEASURE LEFTISTS, CTMF (BILLY CHILDISH), PATE SNOT (JAMES ViNCIGUERRA & MIKEY YOUNG of TOTAL CONTROL & LACE CURTAIN), LEON STACKPOLE (OOGA BOOGAS), BILL DIREEN, LUDELLA BLACK & THE MASONICS, and CLOROX GIRLS. Includes an insert with essays by JACK RABID and SAM LEFEBVRE.) 17.00
TAPES
DIÄT - positive energy TAPE (Tape Version. ) 6.00
VINDKAST - archaic collapse TAPE (Atmospheric Black Metal with spaced ambient parts. Comes in very special silk screen printed BRAD PAK.-Pro done cassette limited to 100 copies ) 7.00
MAGS
MAXIMUMROCKNROLL - #403 DECEMBER 2016 MAG (Punk up your December with The All China Issue featuring scene reports past and present, interviews with SUBS, DIDERS, and BASTARD OF THE NATION, photos, an annotated discography and more. Also included are the usual collection of columns, news items action-packed photos and reviews.) 5.00